![]() Here, we’ll break down the key features of the provided LUTs and highlight movies that have used them, helping you envision the impact these film stocks can bring to your footage. Understanding the distinct characteristics of each film stock LUT not only aids filmmakers in choosing the right look for their project but also gives them insights into the historical relevance of each film stock. Deep Dive into the Film Stock LUTs: Characteristics and Signature Looks Once installed, you may use Premiere Pro CC, FCPX, After Effects CC, and DaVinci Resolve. Since all of our free LUTs are ‘.CUBE’ files, they can be used with numerous NLEs and colour grading applications. This dual function ensures not only a technically sound grade but also a stylistically pleasing one, reminiscent of iconic films. They act as a bridge, swiftly converting your log footage into the standard Rec.709 color space, while also imbuing the characteristics of renowned film stocks. The LUTs I’m offering have been crafted explicitly for those shooting on the Sony FX3 in S-log2 or S-log3 profiles. ![]() Navigating the Technicalities: From S-log2 and S-log3 to Rec.709
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